Skip to main content

Trying out the Neewer NK002 camera and lighting mount for desks.

In this article I set up my desk with a new overhead camera mount rig from Neewer, the NK002. I’ve been using a standard monitor arm with additional mounting hardware to hold my camera for years, but I wanted to see how this mount works in my creative computer workspace instead. Keep in mind that they sent me this mount at no cost with the expectation that I produce a few videos about it based on my standard collaboration terms . The were not allowed to give me talking points or preview anything that I created.  Check out the full video on YouTube :  Check it out on Neewer's official shop (not affiliated).   Or through my links:  Amazon:  https://amzn.to/4g3I2GI B&H Photo: https://bhpho.to/3Ce6I1u   As an affiliate of Amazon and B&H, I earn from qualifying purchases!  Unboxing and First Impressions The main box with accessories. The NK002 comes in a big, solid box. It was shipped with dense foam support around the rails to keep everything prote...

A Test In Macro Photography

A few weeks ago I did a quick test to try out my best macro lens with a 1.5x teleconverter I had just bought. The results were good and takes me one step closer to that special level of magnification I eventually want to get to. If you don’t know much about macro photography, read this wikipedia article to get a quick overview. Eventually I’d like to have a setup were I can focus on features of small insects, such as filling a full image frame with the structure and detail of their eyes.

Here are the results:

Even with the teleconverter and limited depth of field, there is a nice amount of detail.


A larger view of the grasshopper. You can even see some damage it has in the thorax region.

Generally I put the camera into manual focus mode and completely extend the focusing tube to maximum magnification. Then I try to hold as steady as possible to frame and select what slice of image I want to be in focus. With such small objects, it’s quite difficult to stay still enough, so I think in the future I will look into getting a ball head monopod, which should help with stability yet still offer a decent amount of mobility.


The camera setup I used.

The camera setup details: 

  • Pentax K-7 camera body with battery grip.
  • Pentax D-FA 100mm WR Macro lens. This has a maximum of 1:1 magnification.
  • Kenko 1.5x Pz-AF SHQ teleconverter (currently wrapped in silicone tape to improve weather resistance)
  • Custom Brackets CB Digital-S camera flash bracket.
  • Adorama flash extension cord with a pivoting flash connector.
  • Sigma EF-530 DG SUPER flash with a plastic diffuser angled down toward the lens.

With the teleconverter I’m able to gain more magnification without having to lose working distance. I’d like to eventually get bellows, extension tubes, or a 3x teleconverter to see how the 100mm Macro lens does with even more magnification. Most of the macro setups I see use a reversed lens, which I’d eventually like to try as well. What I like about the current is setup that it has a full data connection between the lens, camera, and flash meaning I can let the camera manage most or all of the settings, so I can focus on composition.


The Kenko teleconverter wrapped in a silicone strip tape to hopefully improve weather resistance.


The camera in live view is another option for focusing if you can’t get your face close enough to the viewfinder.


Here is a macro of the maximum focusing distance of a metal tape measure.


The large silver thing on the right not in focus is a screw head showing how thin the depth of field is. The 1/4 stands for 1/4th of an inch, so there is quite a good deal of magnification happening. 








Popular posts from this blog

Camera Gear Reviews and Marketing Issues Exposed

A great overview by Gerald Undone on his experiences in the field of camera gear related videos! It is an important topic. The more open the better, I’d say. After over 13 years making photography and videography gear videos, I’ve not had a huge amount of success comparatively, but I’ve also never been especially brand safe to begin with for these companies to consider me. 🤣 I think his mentions toward the end of the video are especially important. The unwritten pressure, or worse with companies like Insta360 , shouldn’t be acceptable and should be publicly called out more often. That’s probably the only way things will actually change for the better. I created a video detailing my opinion on the topic further: More of my comments on the video… His YouTube channel. 4:30 I understand that’s what Gerald does, but are there situations where companies are paying for flights and hotel costs of other reviewers with the expectation of a video/article being produced? (EDIT: I’ve seen confirm...

Viltrox AF FE 28mm f/4.5 VCM ASPH ED Lens Overview

Viltrox asked me if I wanted to take a look at this unique compact autofocus full-frame prime lens with a focal length of 28mm and a fixed f/4.5 aperture for Sony E-mount cameras. Viltrox agreed to my standard collaboration terms before sending me the lens.    In the video I talk about features, how it works in practice, and show photos I had taken on a photo walk with the Sony a7S as well as the APS-C a6000. Viltrox is starting this off as an Indiegogo campaign. They told me that it will eventually be sold through normal retailers: https://www.indiegogo.com/projects/viltrox-af-28mm-f4-5-fe-chips-size-ultra-thin-lens They said it will be $99 USD or 109 Euros with discounts during the crowdfunding period. Check out Indiegogo for details. I am not an affiliate of that website. You can check on the status of availability through my usual affiliates: B&H Photo Video Amazon As an affiliate of these shops, I earn from qualifying purchases!    The front of the lens. K...

First look at the Sigma 18-50mm F/2.8 for Sony E-mount bought from KEH

I've use a Sony Alpha A6000 and the PZ 16–50mm F/3.5–5.6 OSS kit lens with my computer as a webcam for a long time now. It's a lower cost option that has been very consistent outputting 1080p at 30 FPS to a USB based HDMI capture device. The kit lens is generally fine, but it has a few quirks. The biggest issue is that throughout the zoom range the maximum aperture value is not fixed. This introduces technical challenges when I want to show detailed views of product or similar use cases. There are also other considerations I'll talk about later in this article. So I decided to buy the Sigma 18-50mm F2.8 DC DN | C lens in E-mount as a replacement.  Links in this article are a mix of paid and through my affiliates. I earn from each in different ways. One is a flat fee and the others I earn from qualifying purchases. Considering them for your purchasing needs helps make the creation of this information viable!   I made a video unboxing the lens and trying it out with Open ...