Skip to main content

Convention Camera Setup: Custom Brackets CB Mini Flash Bracket

I just tried out the new flash bracket at a convention last weekend. I always like trying unique setups that do not really fit into intended design parameters. Using a Custom Brackets CB Mini flash bracket, I was able to get a compact convention setup where it functions in both landscape and portrait, while not requiring a camera bag making it quick to access. It is also very compact and keeps the camera’s flash connector safe from having a large weight on it.

A fully kitted out bracket with camera, cable, and flash.

Get the Custom Brackets CB Mini Camera Flash Platform Bracket here: B&H Photo Video, Amazon, Adorama, and eBay. As an affiliate of these shops, I earn from qualifying purchases! 

2023 Update: A viewer asked me if the Custom Brackets CB Mini would work with a pro camera. The larger camera I have on-hand is the Nikon Z5. That video is over 11 years old but funny enough I still have the bracket! (and it looks like CB still sells it)

This bracket should be alright with the Z5 as long as the flash used isn’t too wide…

To demonstrate my setup, check out these photos below: 

Here is me holding the setup horizontally.

As you can see, the camera flash is pointing up around 45 degrees upward with a diffuser. This allows for a good amount of diffuse and bounced fill light indoors.

The setup consists of:

  • Pentax K-7 with battery grip
  • Sigma EF-530DG Super flash with Stofen diffuser
  • Short adjustable flash shoe extension (generic Adorama brand)
  • Custom Brackets CB Mini flash bracket
  • A sturdy camera bag strap
  • 4 key rings

Vertical setup

When I use the camera vertically, which is 80% of the time at conventions, I hold the setup with the flash above the camera, and use the Sigma 530DG Super’s pivoting mechanism to have the flash point around 45 degrees upwards. It works really well, but does make my camera grip’s buttons useless. 

The benefit of having the grip on there is that it gives my left hand something to hold on to and also means I don’t have to switch out batteries as often. Getting a good vertical layout was my primary goal as I photograph people at the conventions. 

Both the horizontal and vertical work well thanks to the dual pivoting nature of the Sigma flash. It’s important because you don’t want to take vertical shots when the flash is positioned directly to the side of the lens as that can produce unnatural lighting and shadows. It should be noted that when I use the diffuser, I need to crank down my exposure to -2 in camera. 

The camera in a resting position.

I attached a camera bag strap to the bracket. It’s an almost perfect way to hold the camera for easy access and long periods of time. The lens is facing my body around the waist, so all I do is pull the camera up to my face in one fluid motion to take a shot. 

The bracket in more detail along with where I attached the rings.

The major positives of this bracket is that it is well constructed, designed such that the flash will not pivot (very important), and allows for a compact setup where the flash is not connected directly to the camera.

The related YouTube video about the bracket.

For $50, the bracket is a bit expensive in my opinion, but it does work really well for my intended use. It’s not the standard L bracket design, so it gets more points in my book for being unique in a good way. I’m certainly glad I bought it.


Popular posts from this blog

First look at the Sigma 18-50mm F/2.8 for Sony E-mount bought from KEH

I've use a Sony Alpha A6000 and the PZ 16–50mm F/3.5–5.6 OSS kit lens with my computer as a webcam for a long time now. It's a lower cost option that has been very consistent outputting 1080p at 30 FPS to a USB based HDMI capture device. The kit lens is generally fine, but it has a few quirks. The biggest issue is that throughout the zoom range the maximum aperture value is not fixed. This introduces technical challenges when I want to show detailed views of product or similar use cases. There are also other considerations I'll talk about later in this article. So I decided to buy the Sigma 18-50mm F2.8 DC DN | C lens in E-mount as a replacement.  Links in this article are a mix of paid and through my affiliates. I earn from each in different ways. One is a flat fee and the others I earn from qualifying purchases. Considering them for your purchasing needs helps make the creation of this information viable!   I made a video unboxing the lens and trying it out with Open ...

Camera Gear Reviews and Marketing Issues Exposed

A great overview by Gerald Undone on his experiences in the field of camera gear related videos! It is an important topic. The more open the better, I’d say. After over 13 years making photography and videography gear videos, I’ve not had a huge amount of success comparatively, but I’ve also never been especially brand safe to begin with for these companies to consider me. 🤣 I think his mentions toward the end of the video are especially important. The unwritten pressure, or worse with companies like Insta360 , shouldn’t be acceptable and should be publicly called out more often. That’s probably the only way things will actually change for the better. I created a video detailing my opinion on the topic further: More of my comments on the video… His YouTube channel. 4:30 I understand that’s what Gerald does, but are there situations where companies are paying for flights and hotel costs of other reviewers with the expectation of a video/article being produced? (EDIT: I’ve seen confirm...

Canon M6 Mark II HDMI & 10-bit Output?

I’m writing all of this down as in case sources disappear and I want to reference M6ii HDMI-out information in the future.  So this is not by any means a definitive source but rather a jumble of information I’m putting together in the moment. The “HDMI info disp” setting to select clean output mode. There is one webpage I know about that mentioned the Canon EOS M6 Mark II supports clean HDMI output in 10-bit 4:2:2. I don’t think the page exists any longer on Canon USA’s website because the old link no longer works after a redesign. https://youtu.be/_UT9u0XVn5U However it does currently exist on the Internet Archive . Here’s the important quote from that webpage:  HDMI recording: Menu-selected user choices for HDMI output with info (images recorded to the SD card); Clean 4K output, or Clean Full HD output. With clean output, compatible HDMI recorders can be connected with appropriate HDMI cords. During Clean HDMI out, video is not recorded to an in-camera SD card. With compatib...