Skip to main content

DA* 300mm and Kenko 1.5x Pz AF at the Airshow Absolute Sharpness

I had a request to provide unprocessed full resolution images from the airshow I went to recently where I used the K-5, DA* 300mm f4, and Kenko 1.5x Pz AF teleconverter together. I’ll be providing a few images with 100% crops straight from camera raw default settings for your viewing pleasure.

The first image shows some movement blur and how well I did on tracking with AF. This isn’t a representation of absolute sharpness, but rather what type of result you might get in extreme conditions as long as you gained decent focus on the subject:





The UPS plane was stationary, so this is a better representation of sharpness (long distance from subject):





This person’s t-shirt is also a good representation of sharpness (close distance from the subject): 



I still see some motion blur in this shot, but most of the text is readable:






Another result which might have benefited from a faster shutter speed:





Doing a little math that combination gives me around 680mm in full-frame terms. I think in absolute sharpness terms, the UPS tail fin and National Air and Space Museum t-shirt really show just how sharp the combo can be hand-held. I think in situations where I was panning while taking photos of planes in flight could have benefited from faster shutter speeds. 

The camera was basically set to automatic exposure control with either manual focus or AF.C auto-focus. I was also having that strange shutter/mirror issue with the K-5 which might have a slight negative impact on some of my shots.

As I mentioned before (and demonstrated in my linked Kenko article above), the combo focuses slower with the TC is attached. This was a bit challenging with extremely fast planes like jets, but I managed okay overall. I have devised a few methods to get the best shots possible. 

I basically start on my subject of interest as far out as possible and pan my lens around to follow it until some type of object obstructs my view, or I get the shots I wanted. In some instances I need to switch to manual focus as I just can’t get some shots with AF enabled. That case is especially true when I want my focus on a specific area or when the frame has multiple objects that could take focus away.
























Popular posts from this blog

Camera Gear Reviews and Marketing Issues Exposed

A great overview by Gerald Undone on his experiences in the field of camera gear related videos! It is an important topic. The more open the better, I’d say. After over 13 years making photography and videography gear videos, I’ve not had a huge amount of success comparatively, but I’ve also never been especially brand safe to begin with for these companies to consider me. 🤣 I think his mentions toward the end of the video are especially important. The unwritten pressure, or worse with companies like Insta360 , shouldn’t be acceptable and should be publicly called out more often. That’s probably the only way things will actually change for the better. I created a video detailing my opinion on the topic further: More of my comments on the video… His YouTube channel. 4:30 I understand that’s what Gerald does, but are there situations where companies are paying for flights and hotel costs of other reviewers with the expectation of a video/article being produced? (EDIT: I’ve seen confirm...

Viltrox AF FE 28mm f/4.5 VCM ASPH ED Lens Overview

Viltrox asked me if I wanted to take a look at this unique compact autofocus full-frame prime lens with a focal length of 28mm and a fixed f/4.5 aperture for Sony E-mount cameras. Viltrox agreed to my standard collaboration terms before sending me the lens.    In the video I talk about features, how it works in practice, and show photos I had taken on a photo walk with the Sony a7S as well as the APS-C a6000. Viltrox is starting this off as an Indiegogo campaign. They told me that it will eventually be sold through normal retailers: https://www.indiegogo.com/projects/viltrox-af-28mm-f4-5-fe-chips-size-ultra-thin-lens They said it will be $99 USD or 109 Euros with discounts during the crowdfunding period. Check out Indiegogo for details. I am not an affiliate of that website. You can check on the status of availability through my usual affiliates: B&H Photo Video Amazon As an affiliate of these shops, I earn from qualifying purchases!    The front of the lens. K...

First look at the Sigma 18-50mm F/2.8 for Sony E-mount bought from KEH

I've use a Sony Alpha A6000 and the PZ 16–50mm F/3.5–5.6 OSS kit lens with my computer as a webcam for a long time now. It's a lower cost option that has been very consistent outputting 1080p at 30 FPS to a USB based HDMI capture device. The kit lens is generally fine, but it has a few quirks. The biggest issue is that throughout the zoom range the maximum aperture value is not fixed. This introduces technical challenges when I want to show detailed views of product or similar use cases. There are also other considerations I'll talk about later in this article. So I decided to buy the Sigma 18-50mm F2.8 DC DN | C lens in E-mount as a replacement.  Links in this article are a mix of paid and through my affiliates. I earn from each in different ways. One is a flat fee and the others I earn from qualifying purchases. Considering them for your purchasing needs helps make the creation of this information viable!   I made a video unboxing the lens and trying it out with Open ...