Skip to main content

Pentax K-5 in Close-up Macro Detail Video

I made a video on a whim last night as I wanted to get some practice doing video with my 100mm macro lens. I tried making a product detail video with the K-5 as the subject. On a somewhat related note, the K-5 will be going back to the repair facility once I receive the shipping label. Hopefully the second time is the charm with that camera.

The video was taken with the K-7 at the highest setting and edited in Kdenlive for Linux. I have a few ideas to get better clip quality that I will have to try in the future. I’d like to eventually try a similar video with the K-7 or *ist D as a subject to see how that works.

Get a used Pentax K-5 through my links:
B&HKEHeBay, and Amazon

An an affiliate of these shops, I earn from qualifying purchases!

Videos related to the camera: 

Here are the general specifications of the K-5 if you haven’t seen them:

Sensor:
Type: CMOS w primary color filter and integrated Shake/Dust Reduction sensor movement system Size: 23.7 x 15.7mm Color depth: 8 bits/channel JPG, 14 bits/channel RAW Effective pixels: 16.3 MP Total pixels: 16.9 MP Recorded resolutions Still: 16M (4928×3264), 10M (3936×2624), 6M (3072×2048), 2M (1728×1152) Movie (resolution/FPS): 1920x1080p25, 1280x720p30/25, 640x480p30/25 Quality levels: **** Premium, *** Best, ** Better, * Good Dust Removal: DR II (ultrasonic vibration to low pass filter) with Dust Alert function

Focus System:
Type: SAFOX IX+ TTL phase-difference 11 point (9 cross) wide autofocus system with light wavelength sensor Focus modes: AF Single (w focus lock, focus/shutter priority selectable), AF Continuous (w focus/FPS priority selectable), Manual Focus point adjustment: Auto 11 Point, Auto 5 Point, User-Selectable, Center AF assist: Yes, via dedicated LED AF assist lamp

LCD Monitor:
Type: 3.0” TFT color LCD with brightness/color adjustment and AR coating Resolution: 921,000 dots Wide angle viewable: Yes LIVE VIEW Type: TTL by CMOS image sensor Field Of View: 100% Display Modes: Magnification (2-6X AF, 2-10X MF), Grid Overlay (4×4, Golden Ratio, Scale), Bright/Dark Indication, Histogram Autofocus: Yes, Contrast + Face Detection, Contrast Detection, Phase Difference

External Flash:
Type: Hotshoe (P-TTL), high speed sync and wireless w PENTAX dedicated flash, X-Sync Socket Synchronization speed: 1/180 sec

Interfaces:
Ports: USB 2.0 hi-speed, AV out, HDMI out, DC in, cable switch, 3.5mm stereo microphone, X-sync socket Video out: HD (via HDMI), NTSC, PAL Printer interfaces: n/a

Physical Specifications:
Body dimensions (W x H x D): 5.2 x 3.8 x 2.9” Body weight Without battery or removable memory: 23.3 oz Loaded and ready: 26.1 oz Construction material(s): Magnesium alloy shell over stainless steel chassis Weather resistant: Yes (77 weather protection seals) Operating temperature: 14-104°F (-10 to 40°C)

Image Stabilization:
Type: Sensor-Shift Shake Reduction with rotational compensation (4 stops max) Electronic level function: Yes, verification via viewfinder and LCD panel

ISO Sensitivity:
Auto: ISO 100-12800 (1, 1/2, 1/3 steps), expandable to ISO 80-51200, Bulb mode up to ISO 1600, auto ISO range selectable Manual: 100-12800 (1, 1/2, 1/3 steps), expandable to ISO 80-51200, Bulb mode up to ISO 1600

Shutter:
Type: Electronically controlled, vertical-run, focal plane shutter Shutter speed: 1/8000 to 30 sec (1/3 or 1/2 steps), Bulb

Viewfinder:
Type: Pentaprism Coverage (field of view): 100% Magnification: 0.92X (w 50mm F1.4 at infinity) Standard focusing screen: Natural-Bright-Matte II (interchangeable) Diopter adjustment: -2.5m to 1.5m Depth of field preview: Optical (diaphragm stop-down), Digital

Power Supply: Power source: Rechargeable Li-Ion battery D-LI90, D-BG4 Battery Grip (optional) for 2nd D-LI90 battery or 6X AA batteries Recordable images: Approx 980 (approx 740 w 50% flash, CIPA) Playback time: Approx 440 min Movie recording time: Approx 25 min (automatic overheat shutdown protection) AC adapter available: Yes (optional)

Metering System:
Type: TTL open-aperture 77 segment metering Sensitivity range: EV 0 to 22 (ISO 100, 50mm F1.4) Multi-segment: Yes (77 segments) Center weighted: Yes Spot: Yes Exposure compensation: +/- 5 EV (1/3 and 1/2 steps) Exposure lock: Yes Exposure bracketing: Yes (2, 3, or 5 frames, up to +/- 2 EV in 1/3 or 1/2 steps)

White Balance*:
Auto preset modes: Auto, Daylight, Shade, Cloudy, Fluorescent (D, N, W, L), Tungsten, Flash, CTE Manual mode(s): Yes, 3 manual and 3 Kelvin temperature presets available, copy WB settings from a captured image available * WB fine adjustment available in all modes

Custom Functions:
Functions available: 27


Popular posts from this blog

Viltrox AF FE 28mm f/4.5 VCM ASPH ED Lens Overview

Viltrox asked me if I wanted to take a look at this unique compact autofocus full-frame prime lens with a focal length of 28mm and a fixed f/4.5 aperture for Sony E-mount cameras. Viltrox agreed to my standard collaboration terms before sending me the lens.    In the video I talk about features, how it works in practice, and show photos I had taken on a photo walk with the Sony a7S as well as the APS-C a6000. Viltrox is starting this off as an Indiegogo campaign. They told me that it will eventually be sold through normal retailers: https://www.indiegogo.com/projects/viltrox-af-28mm-f4-5-fe-chips-size-ultra-thin-lens They said it will be $99 USD or 109 Euros with discounts during the crowdfunding period. Check out Indiegogo for details. I am not an affiliate of that website. You can check on the status of availability through my usual affiliates: B&H Photo Video Amazon As an affiliate of these shops, I earn from qualifying purchases!    The front of the lens. Key Specifications:

First look at the Sigma 18-50mm F/2.8 for Sony E-mount bought from KEH

I've use a Sony Alpha A6000 and the PZ 16–50mm F/3.5–5.6 OSS kit lens with my computer as a webcam for a long time now. It's a lower cost option that has been very consistent outputting 1080p at 30 FPS to a USB based HDMI capture device. The kit lens is generally fine, but it has a few quirks. The biggest issue is that throughout the zoom range the maximum aperture value is not fixed. This introduces technical challenges when I want to show detailed views of product or similar use cases. There are also other considerations I'll talk about later in this article. So I decided to buy the Sigma 18-50mm F2.8 DC DN | C lens in E-mount as a replacement.  Links in this article are a mix of paid and through my affiliates. I earn from each in different ways. One is a flat fee and the others I earn from qualifying purchases. Considering them for your purchasing needs helps make the creation of this information viable!   I made a video unboxing the lens and trying it out with Open Br

Camera Gear Reviews and Marketing Issues Exposed

A great overview by Gerald Undone on his experiences in the field of camera gear related videos! It is an important topic. The more open the better, I’d say. After over 13 years making photography and videography gear videos, I’ve not had a huge amount of success comparatively, but I’ve also never been especially brand safe to begin with for these companies to consider me. 🤣 I think his mentions toward the end of the video are especially important. The unwritten pressure, or worse with companies like Insta360 , shouldn’t be acceptable and should be publicly called out more often. That’s probably the only way things will actually change for the better. I created a video detailing my opinion on the topic further: More of my comments on the video… His YouTube channel. 4:30 I understand that’s what Gerald does, but are there situations where companies are paying for flights and hotel costs of other reviewers with the expectation of a video/article being produced? (EDIT: I’ve seen confirm