In this article I set up my desk with a new overhead camera mount rig from Neewer, the NK002. I’ve been using a standard monitor arm with additional mounting hardware to hold my camera for years, but I wanted to see how this mount works in my creative computer workspace instead. Keep in mind that they sent me this mount at no cost with the expectation that I produce a few videos about it based on my standard collaboration terms . The were not allowed to give me talking points or preview anything that I created. Check out the full video on YouTube : Check it out on Neewer's official shop (not affiliated). Or through my links: Amazon: https://amzn.to/4g3I2GI B&H Photo: https://bhpho.to/3Ce6I1u As an affiliate of Amazon and B&H, I earn from qualifying purchases! Unboxing and First Impressions The main box with accessories. The NK002 comes in a big, solid box. It was shipped with dense foam support around the rails to keep everything prote...
I’ve been doing research to figure out what type of process I will need to use when I change camera systems. Sadly, Nikon and others like Canon are fixated on using their own proprietary RAW formats, so that means any new cameras that use a special format will not work with my current post processing steps. Even to the point in the past where some of the companies encrypted parts of the data in their RAW file formats. Talk about not being consumer/user orientated… Youtube Video Link : Adobe’s policy is to only support the current version of Photoshop when it comes to proprietary RAW formats, so that means my license of Photoshop CS5 will be useless when it comes to RAW files from something like a Nikon D600 that I am considering. I haven’t had that problem since the Pentax K-7 days because they offered DNG RAW output. I don’t think I’ve ever (intentionally) used PEF in my K-7/K-5 cameras. My potential idea is to use the free Adobe DNG RAW conversion application once that is updated,...