In this article I set up my desk with a new overhead camera mount rig from Neewer, the NK002. I’ve been using a standard monitor arm with additional mounting hardware to hold my camera for years, but I wanted to see how this mount works in my creative computer workspace instead. Keep in mind that they sent me this mount at no cost with the expectation that I produce a few videos about it based on my standard collaboration terms . The were not allowed to give me talking points or preview anything that I created. Check out the full video on YouTube : Check it out on Neewer's official shop (not affiliated). Or through my links: Amazon: https://amzn.to/4g3I2GI B&H Photo: https://bhpho.to/3Ce6I1u As an affiliate of Amazon and B&H, I earn from qualifying purchases! Unboxing and First Impressions The main box with accessories. The NK002 comes in a big, solid box. It was shipped with dense foam support around the rails to keep everything prote...
DPReview talked with Go Tokura (Chief Executive of Canon). The vast majority of the interview was about RF, but I do think there were a few interesting mentions of EOS M and online video content creators. Let’s start with the two obvious mentions about the EF-M system: Will the RF mount grow to incorporate APS-C format cameras? Or are you committed to the separate EF-M mount for APS-C? We can’t comment on specific plans, but APS-C size cameras are popular due to their size, weight and telephoto range advantages compared to full-frame cameras. We will listen to customers’ opinion and consider possible options. That sounds like confirmation they are considering putting a high density APS-C sensor camera into the RF system. I don’t quite get it unless there is a real technical benefit of that compared to a high density full-frame sensor that can read out the cropped area quickly. I’d personally rather have a slow 100mp full-frame camera with a fast crop mode compared to an APS-C RF camer...